dead fish marionette

    pulled by strings of dull gray lead
    she invites us to sit round the corner
    with the barbed hook of her thumb

    she takes our order as if we are
    intestines holding menus
    and only provides cutlery
    after haphazardly digesting our request

    across the room she absentmindedly
    flips a new tablecloth of old crumbs
    and in its wind asks how our meal is

    our answer is lost to her dead fish
    marionette movements

    co-written with zen sutherland


    neighborhood sentry

    footsteps echo
    from bare floor and walls as I stand
    in the hollow back bedroom to our new home

    look out to the yard, mud colored lawn
    life barren still, with receding ice.
    effortlessly ducking brush, thick and tangled
    woven along the faded brown fence
    a family of quail appears, steel blue
    feathers of silk.

    four, five, six
    they frolic to and from fence top
    hindering my count.

    I watch a moment longer
    faltering between springtime wonder
    and a touch of sadness
    foresight, for when my cats move in
    come end of the week.


    cheaper by the litre

    almost an hour into the trip
    our winter get-away into the mountains
    cedar chalet waiting for us
    a timely cancellation occurring on our behalf
    we dash into the store for groceries
    head for the sodas

    earthen-friendly one that you are
    this time you question me
    why is it that I prefer cans, all that
    excess packaging
    to a two litre bottle instead

    oblivious at first to my own cheerful animations
    I begin to show you
    a succulent groan
    grasp for my throat
    seductive explanation
    why there is nothing better
    than the thirst quenching chill of an icy cola
    bubbling from the can
    biting down my throat

    suddenly you get that gleam in your eyes
    apple-green mischief, with a hint of cinnamon
    as if I've just pressed in to you
    the way we kiss
    leaned in for a tender one
    left you with another hard-on
    and we both begin to laugh

    the aisle is our own, nearly
    the whole store
    as you hold me close
    our laughter subsiding
    and tell me again
    how much I live poetry
    how much you enjoy reading me


Donna Hill
     Donna Hill lives in British Columbia, Canada with her three sons. She has been seriously writing poetry for a few years now, drawing much of her writing style for realism from life around her, her family, and her work as a child educator. She currently is poetry editor of Erosha, a literary journal of the erotic. Donna's poems have appeared in print issues of One Dog Press, Sex in Public, Poems Niederngrasse and Peshekee River and have also been published online by numerous literary webzines. Her poem, "my hands write when I need them to," took first prize in Comrades first annual poetry contest, while "the moon is a sliver tonight" placed seventh. Both poems are slated to appear in Comrades upcoming anthology, 2001.
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