Chihuahyua, Coahuila

    drove for days in
    the rose and blue
    light of the desert
    stoned on names,
    ocotillo, coral bean.
    By the sixth day the
    aloneness got us, there
    wasn’t a face or voice,
    not even near the
    hogans. Nights we slept
    in the car with the
    doors locked, locked
    in ourselves: we were
    like skin peeled from a
    finger, shriveling,
    having nothing to do
    with any hand


    The Erotic Mirror Dream

    I walk past the heart-shaped
    beds, the room of mirrors,
    hope my new lover doesn’t
    see my cheeks become the color
    of the velvet hearts, the deep
    rose quilt that spreads like a
    dream I’d rather not remember.
    In my hiking boots, I’m sixteen
    again, hating to be called “whole-
    some,” running out of the Carolina
    living room when the sportscaster
    on TV made me groan. I couldn’t
    have flashed forward to rolling
    anywhere with him, let alone under
    a mirror where, even after vodka,
    I could still see what I was doing.
    I could be that TV in the photo
    of the love suite in the heart room,
    something that does not belong but
    is stuck there. It snowed again all night.
    I wished it had blurred the too
    bright light I stumbled into. Only
    the crystal prisms, those hard cold
    edges I tried to make myself be,
    only the lips and hair of so many
    versions of me split and splayed
    like a dead deer on a car kept me
    from feeling totally alone


    Falling for a Voice and a Laugh on the Radio

    like someone blind,
    loving a house for
    the smell of the sea
    thru shutters, lilac
    and the slam of
    cedar. Bees. Know-
    ing as little about
    his real fingers
    as I do of how
    glue dries in
    outer space, I can
    make up the way
    they nuzzle hair
    like moles or
    cats’ noses, make
    you do what I choose,
    shipwreck in waves
    inside my thighs
    in that valentine
    that stays no matter
    how many times
    it is sent


    He Was Always Leaving as I was coming Around

    dissolving into bathrooms
    and out into the
    muggy Hartford streets
    with just his book
    of poems in my
    hand to assure me I
    hadn’t imagined this.
    When I tried to call
    the phone had been
    disconnected. he was
    always shipwrecking
    in other women’s
    thighs when my
    plane was taxiing in
    to O’Hare airport.
    We must have passed
    each other on the
    thruway outside
    Des Moines. Sheets
    he used were still
    warm when I got
    to Dayton, his
    words, garnets
    and sapphire that I
    looked at dirty
    snow in me thru
    all one fall.
    There’s more: both
    of us stopped for 30
    days in this house
    like butterflies
    under glass labeled
    in separate cases in
    the Smithsonian
    only there’s a brook
    that flows between
    our rooms and neither
    of us swims


    Wet Leaves Close to Midnight

    A stranger in black leather
    he hadn’t expected would
    really come tho he put
    champagne on ice, maple
    flowers dripping, the
    strangeness of meeting
    in a yellow kitchen in
    too bright light as I
    stumbled thru books and
    firewood. Later he’d say
    I talked too much, my
    skirt hiking up his words
    on Barcelona and Lorca.
    Suddenly his lips and
    fingers pulled me toward
    the mattress. Balalaikas
    and rain, skin rubbed
    raw. My god he said do
    you get paid for, you’re
    so good
    at and suddenly
    I was words written in
    blue chalk under the
    dripping lilacs, cheeks
    burning as they had a day
    I walked on Jay in glasses
    and baggy denim and two
    men came up, sneered are
    you for sale or for real


    from my new book:
      beforeitslight.jpg - 6040 Bytes
    Before It's Light - Lyn Lifshin
    $16.00 (1-57423-114-6/paper)
    $27.50 (1-57423-115-4/cloth trade)
    $35.00 (1-57423-116-2/signed cloth)
    Bird.gif - 156 BytesBlack Sparrow Press


Lyn Lifshin

     Lyn Lifshin has written more than 100 books and edited 4 anthologies of women writers. Her poems have appeared in most poetry and literary magazines in the U.S.A., and her work has been included in virtually every major anthology of recent writing by women. She has given more than 700 readings across the U.S.A. and has appeared at Dartmouth and Skidmore colleges, Cornell University, the Shakespeare Library, Whitney Museum, and Huntington Library. Lyn Lifshin has also taught poetry and prose writing for many years at universities, colleges and high schools, and has been Poet in Residence at the University of Rochester, Antioch, and Colorado Mountain College. Winner of numerous awards including the Jack Kerouac Award for her book Kiss The Skin Off, Lyn is the subject of the documentary film Lyn Lifshin: Not Made of Glass. For her absolute dedication to the small presses which first published her, and for managing to survive on her own apart from any major publishing house or academic institution, Lifshin has earned the distinction "Queen of the Small Presses." She has been praised by Robert Frost, Ken Kesey and Richard Eberhart, and Ed Sanders has seen her as " a modern Emily Dickinson."
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